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Carmen Linares
1346 Seguidores
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conciertos y fechas de la gira
Anteriores
ENE.
18
2025
Castellón de la Plana, Spain
Auditori i Palau de Congressos de Castelló
Estuve allí
JUN.
20
2024
Madrid, Spain
UMusic Hotel Madrid
Estuve allí
OCT.
17
2019
New York, NY
Drom
Estuve allí
OCT.
04
2019
Zurich, Switzerland
Kirche Neumünster
Estuve allí
MAR.
17
2018
New York, NY
Stern Auditorium / Perelman Stage at Carnegie Hall154 West 57th Street
Estuve allí
FEB.
14
2018
London, United Kingdom
Sadler's Wells
Estuve allí
Mostrar más eventos
Acerca De Carmen Linares
Carmen Pacheco Rodríguez, born in Linares (Jaén) in 1951, is without doubt a fundamental pillar of all current flamenco singing, she masters a vast repertoire of flamenco styles due to her long experience. Her enormous versatility has allowed her to take part in zarzuelas (a Spanish form of musical drama), plays and several projects involving classical musicians and musicans from the world of jazz. Out of her works, the recording of an anthology of female flamenco singing is the one which stands out.
She does not have any predecessors in her family involved in flamenco music; only her father, Antonio Pacheco, used to play guitar as a hobby. Nonetheless, Carmen Linares used to sing in intimate gatherings since she was a child, and when she arrived in Madrid she introduced herself into the world of professionals. She started her artistic trajectory in the dance companies of Paco Romero and Carmen Mora. She made her first record with Juan Habichuela, as a protegé of Fosforito, and she cut her teeth in the capital's best tablaos. In Torres Bermejas, she shared the stage with Camarón, Perla de Cádiz, El Güito, José Mercé and Paco Cepero. At that time, the TVE (the Spanish public broadcasting company) television series Rito y geografía del flamenco presented her as one of the genre's quality young artists. She toured Japan with Merche Esmeralda, El Chaquetón, Luis Habichuela and Paco Antequera, and when she returned to Madrid, she joined the Café de Chinitas, with Enrique Morente, Carmen Mora, Manzanita and Tomás de Madrid.
Little by little, she began to develop her own style, until she became an indispensable cantaora who has never stopped maturing, artistically speaking. Carmen Linares has taken part in several festivals, she has a lengthy recording history and her artistic maturity has been acknowledged on several occasions. Among her most important awards, she received the first prize in the Festival Nacional de Cante de las Minas de La Unión (1978) and the Premio Nacional de Música (2001). She also intervened in Carlos Saura's film Flamenco, and she has been the protagonist of various special television programmes.
She does not have any predecessors in her family involved in flamenco music; only her father, Antonio Pacheco, used to play guitar as a hobby. Nonetheless, Carmen Linares used to sing in intimate gatherings since she was a child, and when she arrived in Madrid she introduced herself into the world of professionals. She started her artistic trajectory in the dance companies of Paco Romero and Carmen Mora. She made her first record with Juan Habichuela, as a protegé of Fosforito, and she cut her teeth in the capital's best tablaos. In Torres Bermejas, she shared the stage with Camarón, Perla de Cádiz, El Güito, José Mercé and Paco Cepero. At that time, the TVE (the Spanish public broadcasting company) television series Rito y geografía del flamenco presented her as one of the genre's quality young artists. She toured Japan with Merche Esmeralda, El Chaquetón, Luis Habichuela and Paco Antequera, and when she returned to Madrid, she joined the Café de Chinitas, with Enrique Morente, Carmen Mora, Manzanita and Tomás de Madrid.
Little by little, she began to develop her own style, until she became an indispensable cantaora who has never stopped maturing, artistically speaking. Carmen Linares has taken part in several festivals, she has a lengthy recording history and her artistic maturity has been acknowledged on several occasions. Among her most important awards, she received the first prize in the Festival Nacional de Cante de las Minas de La Unión (1978) and the Premio Nacional de Música (2001). She also intervened in Carlos Saura's film Flamenco, and she has been the protagonist of various special television programmes.
Mostrar más
No hay próximos espectáculos
Envía una solicitud a Carmen Linares para que dé un concierto en tu ciudad
Solicitar un espectáculo
Artistas similares de gira
Tomatito
12K Seguidores
Seguir
José Mercé
7K Seguidores
Seguir
Las Migas
7K Seguidores
Seguir
Pata Negra
3K Seguidores
Seguir
conciertos y fechas de la gira
Anteriores
ENE.
18
2025
Castellón de la Plana, Spain
Auditori i Palau de Congressos de Castelló
Estuve allí
JUN.
20
2024
Madrid, Spain
UMusic Hotel Madrid
Estuve allí
OCT.
17
2019
New York, NY
Drom
Estuve allí
OCT.
04
2019
Zurich, Switzerland
Kirche Neumünster
Estuve allí
MAR.
17
2018
New York, NY
Stern Auditorium / Perelman Stage at Carnegie Hall154 West 57th Street
Estuve allí
FEB.
14
2018
London, United Kingdom
Sadler's Wells
Estuve allí
Mostrar más eventos
Acerca De Carmen Linares
Carmen Pacheco Rodríguez, born in Linares (Jaén) in 1951, is without doubt a fundamental pillar of all current flamenco singing, she masters a vast repertoire of flamenco styles due to her long experience. Her enormous versatility has allowed her to take part in zarzuelas (a Spanish form of musical drama), plays and several projects involving classical musicians and musicans from the world of jazz. Out of her works, the recording of an anthology of female flamenco singing is the one which stands out.
She does not have any predecessors in her family involved in flamenco music; only her father, Antonio Pacheco, used to play guitar as a hobby. Nonetheless, Carmen Linares used to sing in intimate gatherings since she was a child, and when she arrived in Madrid she introduced herself into the world of professionals. She started her artistic trajectory in the dance companies of Paco Romero and Carmen Mora. She made her first record with Juan Habichuela, as a protegé of Fosforito, and she cut her teeth in the capital's best tablaos. In Torres Bermejas, she shared the stage with Camarón, Perla de Cádiz, El Güito, José Mercé and Paco Cepero. At that time, the TVE (the Spanish public broadcasting company) television series Rito y geografía del flamenco presented her as one of the genre's quality young artists. She toured Japan with Merche Esmeralda, El Chaquetón, Luis Habichuela and Paco Antequera, and when she returned to Madrid, she joined the Café de Chinitas, with Enrique Morente, Carmen Mora, Manzanita and Tomás de Madrid.
Little by little, she began to develop her own style, until she became an indispensable cantaora who has never stopped maturing, artistically speaking. Carmen Linares has taken part in several festivals, she has a lengthy recording history and her artistic maturity has been acknowledged on several occasions. Among her most important awards, she received the first prize in the Festival Nacional de Cante de las Minas de La Unión (1978) and the Premio Nacional de Música (2001). She also intervened in Carlos Saura's film Flamenco, and she has been the protagonist of various special television programmes.
She does not have any predecessors in her family involved in flamenco music; only her father, Antonio Pacheco, used to play guitar as a hobby. Nonetheless, Carmen Linares used to sing in intimate gatherings since she was a child, and when she arrived in Madrid she introduced herself into the world of professionals. She started her artistic trajectory in the dance companies of Paco Romero and Carmen Mora. She made her first record with Juan Habichuela, as a protegé of Fosforito, and she cut her teeth in the capital's best tablaos. In Torres Bermejas, she shared the stage with Camarón, Perla de Cádiz, El Güito, José Mercé and Paco Cepero. At that time, the TVE (the Spanish public broadcasting company) television series Rito y geografía del flamenco presented her as one of the genre's quality young artists. She toured Japan with Merche Esmeralda, El Chaquetón, Luis Habichuela and Paco Antequera, and when she returned to Madrid, she joined the Café de Chinitas, with Enrique Morente, Carmen Mora, Manzanita and Tomás de Madrid.
Little by little, she began to develop her own style, until she became an indispensable cantaora who has never stopped maturing, artistically speaking. Carmen Linares has taken part in several festivals, she has a lengthy recording history and her artistic maturity has been acknowledged on several occasions. Among her most important awards, she received the first prize in the Festival Nacional de Cante de las Minas de La Unión (1978) and the Premio Nacional de Música (2001). She also intervened in Carlos Saura's film Flamenco, and she has been the protagonist of various special television programmes.
Mostrar más
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