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Kaleb Sanders Biography
With over 10 million career streams, Red Street Records new artist Kaleb Sanders is only beginning to make his Nashville mark. Raised in small town Florida, Kaleb’s family legacy is packed with musicians going three generations back. Music is a part of Kaleb’s DNA. It was when his paternal grandfather passed away that music came fully into focus. “I had a spiritual moment at my grandfather’s funeral,” Kaleb says. “From then on there was no doubt in my mind music was what I should do with my life.” Kaleb dropped out of college, moved to Nashville, and learned to play guitar.
Working with Nashville writers to hone his songwriting chops, Kaleb developed his own unique take on country music. Leaning into influences from 90s and 2000s rock and pop, Kaleb’s songs blend classic country with pop sensibilities drawing inspiration from artists like John Mayer, Jason Aldean and Post Malone. “I learned to write songs in Nashville and became an artist in Nashville,” Kaleb says. “I love country music, but I’m an open book. I’d define myself as genre agnostic.” After playing shows with artists like Matt Stell and Brian Martin and growing his fanbase with songs like “Marlboro Man” and “If They Sold It At A Bar,” Kaleb’s 2025 is booked writing songs, releasing new music and touring the country.
Read MoreWorking with Nashville writers to hone his songwriting chops, Kaleb developed his own unique take on country music. Leaning into influences from 90s and 2000s rock and pop, Kaleb’s songs blend classic country with pop sensibilities drawing inspiration from artists like John Mayer, Jason Aldean and Post Malone. “I learned to write songs in Nashville and became an artist in Nashville,” Kaleb says. “I love country music, but I’m an open book. I’d define myself as genre agnostic.” After playing shows with artists like Matt Stell and Brian Martin and growing his fanbase with songs like “Marlboro Man” and “If They Sold It At A Bar,” Kaleb’s 2025 is booked writing songs, releasing new music and touring the country.
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