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OH! THE OCEAN
$13.98

Is This What It Feels Like To Feel Li...
$21.93

Bee-Sting
$23.36

Beautiful People Will Ruin Your Life
$21.98

The Wombats Proudly Present... This M...
$19.90

Glitterbug
$24.86

This Modern Glitch
$9.51

Guide to Love Loss & Desperation
$53.00

Wombats Proudly Present a Guide to Lo...
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What fans are saying

April 14th 2025
The show was perfect! They are amazing live.
Regarding the venue, everything good except for the size of the chairs, they are too small, even for me being a short / small person, I don't think those chairs are appropriate for an average adult, even less in Sweden where people are usually very tall, I had a pregnant woman besides me and she was struggling with the chair.
Stockholm, Sweden@Vasateatern
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The Wombats Biography
The Wombats return with their most sophisticated and sonically adventurous album yet. Oh! The Ocean (out February 21st 2025) grooves with social anxiety, internal strife and the tribulations of LA life, where Murph lives. Once again they provide escapism from the mundane with songwriting that has profound meaning to audiences in turbulent times, packaged in the band’s deceptively cuddly and playful façade.
Oh! The Ocean marks a new era for the band, moving away from previous synthetic sounds to embrace a warmer-blooded approach. Taking 50 new songs into a studio in Echo Park, LA, in July 2024 for six weeks of sessions with new producer John Congleton (St Vincent, Wallows, Death Cab for Cutie), The Wombats shunned the AI studio techniques that have become prevalent in modern-day recording, in order to make a far more natural and human album.
Alongside familiar sounds they explore new genres from glistening tech rock to sci-fi pop, futuristic fuzz rock to bluesy rock’n’roll, with touches of disco and hip-hop-inflections.
Read MoreOh! The Ocean marks a new era for the band, moving away from previous synthetic sounds to embrace a warmer-blooded approach. Taking 50 new songs into a studio in Echo Park, LA, in July 2024 for six weeks of sessions with new producer John Congleton (St Vincent, Wallows, Death Cab for Cutie), The Wombats shunned the AI studio techniques that have become prevalent in modern-day recording, in order to make a far more natural and human album.
Alongside familiar sounds they explore new genres from glistening tech rock to sci-fi pop, futuristic fuzz rock to bluesy rock’n’roll, with touches of disco and hip-hop-inflections.
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