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About this concert
You are invited to take part in a magical live recording experience in the intimately funky, Kulak's. Be delighted by live performances from Mike Maimone (Piano-playing singer, songwriter, Lollapolooza, Riot Fest and more) and Kristen Ford (Live looping beatboxing alt/folk artist on Righteous Babe Records) whose respective use of a grand piano and acoustic guitar will leave you MOVED. Longtime LA multi-hypenate Paul Bellantoni (Sierra Ferrell) will kick off the show, on tour from Nashville crafting songs for his upcoming album.
All ages- No BYOB. Advance purchase is recommended! However if tickets are still available you may purchase at the door. There will be mocktails and cupcakes provided!
Parking is available on the street, but avoid parking in front of the school and read all street signs.
Doors are at 7:30pm and the show will begin promptly at 8:00pm
Dress to impress and clap loud as we record this audio and film an 8 camera shoot being operated by the kind volunteers at Kulak's.
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What fans are saying

Susan
September 8th 2023
Amazing artist, amazing venue (like being in a friend's living room), amazing show. Yes, I cried a little. And I was not the only one. It was an incredibly moving and rewarding evening of music.
Thanks for asking!!
Chicago, IL@Red Room
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Mike Maimone Biography
If searching for a shortcut portmanteau to encompass Nashville treasure and impeccable thirst trapper Mike Maimone, you could do worse than “Dr. John Grant,” melding the latter’s erudite social X-rays and queer queries with the former’s boisterous barroom piano promenades. But even amid the joyful mood roulette of Mookie’s Big Gay Mixtape, you get a feel for the emotional undertow that lurks just beyond some of the pleasant party vibes (“Unfollow” may be the catchiest dance-floor rendezvous about untangling social media with an ex) and the evening of scales (a gloriously menacing take on “Before He Cheats”). After the unexpected death of Maimone’s husband just before Mookie’s release, the ballads’ impact is harder, the party jams and interludes feel like safety valves, and a wrenching take on Tina Turner’s “Simply the Best” hits like Closing Time-era Tom Waits. JASON SHAWHAN, Nashville Scene
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Blues
Soul Pop
Piano Rock
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