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Prism Quartet
World Premiere of PRISM Quartet’s GUITAR HEROES feat. Leyla McCalla, Rez Abbasi and Steven Mackey
Solar Myth
1131 S Broad St
Philadelphia, PA 19147

About this concert
This concert is co-presented by PRISM Quartet and Ars Nova Workshop, an internationally recognized jazz, experimental, and new classical music presenter in Philadelphia.
For more than 40 years, the all-sax PRISM Quartet has redefined the artistic boundaries of its medium, with collaborators ranging from PARTCH, So Percussion, Piffaro, The Crossing, Inti-Illimani, Ethel, and BMOP to leading jazz artists Melissa Aldana, Jason Moran, Susie Ibarra, Arturo O’Farrill, Rudresh Mahanthappa, and Joe Lovano. PRISM has worked across disciplines with several dance companies, stage directors, interactive film makers, poets, and, going back to the 1980s, was the first group to play a consort of electronic wind instruments.
The group now ventures into unchartered waters with PRISM Quartet’s GUITAR HEROES, its newest project featuring collaborations with three eminent guitarist-composers representing a vast range of musical traditions: Leyla McCalla, Rez Abbasi, and Steven Mackey. PRISM has commissioned each to create a new work for guitar and sax quartet, and join the group in world premiere performances in New York City and Philadelphia.
“Guitar Heroes is a once-in-a-lifetime project,” says Matthew Levy, PRISM’s co-founder, executive director and tenor saxophonist. “We’ve invited three strikingly original guitarist-composers to explore the infinite range of sounds that saxes and guitars can make together. In fact, these are among first pieces pairing a sax quartet with solo guitar, with Leyla’s piece also including her extraordinary voice and words. None of us are sure quite what to expect, and that’s why this project is so exciting.”
Leyla McCalla is an American classical and folk musician and songwriter. Born in New York City to Haitian emigrants and activists, and now living in New Orleans, she finds inspiration from her past and present– her music vibrates with three centuries of history and influences from around the globe. McCalla possesses a stunning mastery of the cello, tenor banjo and guitar and, as a multilingual singer and songwriter, has risen to produce a distinctive sound that reflects the union of her roots and experience. In addition to her solo work, McCalla is a founding member of Our Native Daughters (with Rhiannon Giddens, Amythyst Kiah and Allison Russell) and alumna of Grammy award-winning Black string band The Carolina Chocolate Drops. Her work for and with PRISM will explore the diasporic traditions and new creative possibilities of saxophones and guitar as storytelling instruments.
Guitarist, composer, and Guggenheim fellow Rez Abbasi is interested in music’s ability to bridge traditions. He writes, “As a guitar player I’ve shaped a multi-faceted improvisational soloing style that is steeped in the Jazz canon and also influenced by both Western Classical and South Asian musics” to create “a hybrid style.” His compositions also highlight his South Asian culture in very personal and subtle ways. For his PRISM commission he states: “Texture is one of the hidden components I plan on magnifying. This would include guitar effects such as pitch-bend, delay and strong vibrato that can alter the perceived color of any of the saxophones at will. I will treat the saxophone quartet sometimes as individual instruments and sometimes as one instrument, almost like another guitar. Coupled together, we can create a larger than life harmonic world.” Abbasi has performed and recorded with Ruth Brown, Billy Hart, Dave Douglas, Rudresh Mahanthappa, Kadri Gopalnath, Marilyn Crispell, Greg Osby, and many others.
Steven Mackey is an electric guitarist and GRAMMY-winning composer whose distinctive voice (in his words) was born from “merging his academic [composition] training with the free-spirited physicality of his mother-tongue rock guitar music.” Mackey has previously composed two significant works for PRISM: Animal Vegetable Mineral (2005/concerto) and Blue Notes and Other Clashes (2016/sax and perc. quartets). Despite his formidable presence as an electric guitarist, PRISM has never performed with Mackey, until now! He writes, “I have composed several works for electric guitar and string quartet which is, in retrospect, an odd combination. The guitar and string quartet come from very different musical traditions and they have very different dynamic tendencies. I am now looking forward to composing a piece for guitar and sax quartet which, by comparison, is quite a natural combination as the instruments share a history in jazz, blues, rock and of course the saxophone like the electric guitar, has a big, robust voice.” Mackey serves on the faculties of Princeton University and the Curtis Institute. He has won several awards from the American Academy of Arts and Letters, a Guggenheim Fellowship, and a Kennedy Center Friedheim Award.
TICKETS
General admission: $43.26. All fees are included.
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June 10th 2024
The show was amazing!!
I didn’t know what each concert piece was about but the pieces were unique.
Brooklyn, NY@Roulette Intermedium
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Prism Quartet Biography
Intriguing programs of great beauty and breadth have distinguished the PRISM Quartet as one of America’s foremost chamber ensembles. “A bold ensemble that set the standard for contemporary-classical saxophone quartets” (The New York Times), PRISM has been presented by Carnegie Hall, the Chamber Music Society of Lincoln Center, and throughout Latin America, China, and Russia under the auspices of USIA and USArtists International. PRISM has also appeared as soloists with the Detroit Symphony and Cleveland Orchestra, and conducted residencies at the nation’s leading conservatories, including the Curtis Institute and the Oberlin Conservatory. Two-time recipients of the Chamber Music America/ASCAP Award for Adventurous Programming, PRISM has commissioned over 300 works by eminent composers, including Pulitzer Prize-winners Julia Wolfe, William Bolcom, Jennifer Higdon, Zhou Long, and Bernard Rands; MacArthur “Genius” Award recipients Tyshawn Sorey, Bright Sheng, and Miguel Zenón; and US Artists Fellow Susie Ibarra. PRISM’s discography is extensive, with releases on Albany, BCM&D, BMOP/Sound, ECM, innova, Koch International, Naxos, New Dynamic, New Focus, Orange Mountain Music, and its own label, XAS Records. The Fifth Century, PRISM’s ECM recording with The Crossing, was awarded a 2018 Grammy for Best Choral Performance. In 2016, PRISM was named by its alma mater, the University of Michigan, as the first recipient of the Christopher Kendall Award in recognition of its work in “collaboration, entrepreneurship, and community engagement.” The PRISM Quartet performs exclusively on Selmer saxophones.
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