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About this concert
Die musikalisch-bucklige Brit-Spinne und seine Stinkadores
auf dem Weg durch das gebeutelte Land
Es ist die soundsovielte Tournee des Superstars aus dem Ruhrpott. Mittlerweile hat
er sogar richtig Spass am Reisen. "Ja! Ich sehe mir alles genau an!" So kommt
Helge Schneider auch zu Dir! "Ich suche immer Kontakt zu meinem Publikum. Und:
ich will, dass die Leute sich nicht mehr so ernst nehmen können. Sie sollen lachen.
Wenn nicht, auch egal. Ich für meinen Teil finde vieles ja überhaupt nicht lustig.
Aber das muss man verstehen. Ich sehe mich ja tagein tagaus im Spiegel. Vorsicht!:
Der Schock könnte tief sitzen, wenn ich die Perücke abziehe!" Es ist eine
"Bedrohung für die ganze Familie! Trotzdem: ich gebe nicht auf!"
Die Band zupft und dudelt die schönsten Kompositionen von Helge Schneider. Er
hat ja Unzählige geschrieben. Ach was, geschrieben, er schreibt ja gar nichts auf.
Hat alles im Kopf!
Helge Schneider wird 70. " Hätte ich nie gedacht, als ich geboren wurde, dass ich
mal 70 werde! Was für eine willkommene Überraschung!"
Also: wer Helge Schneider noch einmal sehen will, nix wie hin!
Die Band:
Helge Schneider Klavier (diverse andere Instrumente)
Sandro Giampietro Gitarre
Reinhard Glöder Kontrabass
Willy Ketzer Schlagzeug
Sergej Gleitman Geige
Bodo Oesterling T-Shirt
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What fans are saying
Oliver
February 24th 2024
Die Jahrhunderthalle ist einfach eine tolle Location. Helge Schneider war… Helge Schneider! Musikalisch versiert, ein halbes Dutzend Instrumente gespielt, mit absurden Geschichten einige Lacher hingekriegt (besonders die Frau hinter mir hat sich bei der kleinsten Regung auf der Bühne nicht mehr eingekriegt, und zwar das KOMPLETTE KONZERT lang). Helges Absurdität wurde nur noch von seinen Mitstreitern getoppt: „Catweazle“, der seine Yogaübungen dargeboten hat, der Teeanreicher mit einem skurrilen Job und die Combo, bei der der Kontrabass einen leicht abwesenden Eindruck hinterlassen hat. Trotzdem - oder gerade deswegen - hatte die Musik einen herrlichen Groove. Nach der Pause hat merklich Energie gefehlt, war immer noch unterhaltsam aber deutlich weniger Drive. Trotz des Rausschmeißers direkt zum Schluß (Licht an), kam Helge nochmal raus und hat noch einen kleinen Digestif abgeliefert. War auf jeden Fall ein Erlebnis. Könnte mir vorstellen, dass es in einer Club-Atmosphäre besser rüberkommt.
Frankfurt Am Main, Germany@Jahrhunderthalle
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Helge Schneider Biography
Helge Schneider (born August 30, 1955 in Mülheim an der Ruhr) is a German comedian, jazz musician, author, film and theatre director, and actor.
After dropping out of high school, he started an apprenticeship as a construction draftsman. He soon changed plans and was admitted to the Duisburg conservatoire to study piano, after passing an entrance exam for particularly gifted applicants (it later turned out that his diploma was invalid since he dropped out of high school too early). He then toured as a little-known jazz musician and as entertainer, basically as stand-up comedian in local clubs. Schneider plays various instruments such as the Hammond organ, acoustic and electric guitar, ukulele, drums, piano, accordion, trumpet and others.
He became a popular comedian in the 1990s and still is among the best known German comedians. He toured and still tours (alone and with his bands "Hardcore", "The Firefuckers" and others) through major concert halls with a mixture of music and comedy. He frequently appears on German TV, and is probably best known for his song Katzenklolied (Kitty Litter Box Song): "Katzenklo, Katzenklo, ja das macht die Katze froh" ("Kitty litter box, kitty litter box, that makes the cat happy."), a number one hit in 1994. He wrote, directed and starred in four movies. In 2007 he appeared as Adolf Hitler in a satirical film: Mein Führer: The Truly Truest Truth About Adolf Hitler.
Schneider has written nine books, including an autobiography ("There is my whole life in this book, up to right now. The second part comes in thirty, forty years") and a musical, "Mendy - das Wusical", which appeared at Bochum Theatre in 2004.
His comic techniques include parody, use of the local Ruhr area dialect, surprising use of infantile language and other unexpected changes in style, slapstick/physical humour, Dada like absurdities, sudden and unexpected use of crude/sexual humour, references to national and international highbrow and lowbrow culture, and phonetic and declamatory playfulness and exaggeration. Most of his material is heavily language dependent and therefore does not translate well into other languages.
Read MoreAfter dropping out of high school, he started an apprenticeship as a construction draftsman. He soon changed plans and was admitted to the Duisburg conservatoire to study piano, after passing an entrance exam for particularly gifted applicants (it later turned out that his diploma was invalid since he dropped out of high school too early). He then toured as a little-known jazz musician and as entertainer, basically as stand-up comedian in local clubs. Schneider plays various instruments such as the Hammond organ, acoustic and electric guitar, ukulele, drums, piano, accordion, trumpet and others.
He became a popular comedian in the 1990s and still is among the best known German comedians. He toured and still tours (alone and with his bands "Hardcore", "The Firefuckers" and others) through major concert halls with a mixture of music and comedy. He frequently appears on German TV, and is probably best known for his song Katzenklolied (Kitty Litter Box Song): "Katzenklo, Katzenklo, ja das macht die Katze froh" ("Kitty litter box, kitty litter box, that makes the cat happy."), a number one hit in 1994. He wrote, directed and starred in four movies. In 2007 he appeared as Adolf Hitler in a satirical film: Mein Führer: The Truly Truest Truth About Adolf Hitler.
Schneider has written nine books, including an autobiography ("There is my whole life in this book, up to right now. The second part comes in thirty, forty years") and a musical, "Mendy - das Wusical", which appeared at Bochum Theatre in 2004.
His comic techniques include parody, use of the local Ruhr area dialect, surprising use of infantile language and other unexpected changes in style, slapstick/physical humour, Dada like absurdities, sudden and unexpected use of crude/sexual humour, references to national and international highbrow and lowbrow culture, and phonetic and declamatory playfulness and exaggeration. Most of his material is heavily language dependent and therefore does not translate well into other languages.
Jazz
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