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About this concert
Saturday, April 19, 2025
Doors 10PM
Location/ Drop-off: 1900 W Place NE
Please use this address to navigate to the venue.
🧥Coat check on 2nd floor
Food vendor on site
On-site Parking available with Parking Pass
Advance Tickets on sale now.
Detroit is a city rich in music culture, from Blues, Jazz, Motown, Punk,
Hip-Hop, Pop and, of course, Techno. Recognized as one of the greatest in the
world for its musical output, it is also a city whose artists have so much love
and pride for their heritage. Amidst the city’s problems over the years, the
inspiration remains strong and many of the artists from Detroit are innovators
of electronic music.
Creating landscapes through sound, music from originators Jeff Mills, Kevin
Saunderson, Juan Atkins, Derrick May, Carl Craig, Moodymann, Underground
Resistance, Stacey Pullen, Kenny Larkin, Robert Hood, Recloose, Octave One and
many more have influenced people the world over, and without them, the music of
today would not be what it is. They have also paved the way for newer artists
like Seth Troxler, Kyle Hall, Lee Curtiss, Shaun Reeves, Ryan Crosson and Jay
Daniel; each artist uniquely taking the melodic and unforgettable sounds of
Detroit into the future.
‘Detroit Love’ is a concept from Carl Craig, designed to bring together and
support the sounds of Detroit and take a little of the techno brotherhood to
clubs and festivals the world over.
“Love is what I have for my city, Detroit. ‘Detroit Love’ is my way of spreading
this love, a love for music from the city, my heritage and who I am as a
producer and performer. My love for Detroit is my inspiration, my inspiration is
‘Detroit Love’.” – Carl Craig
Carl Craig is a multi-disciplined visionary whose eclectic tastes and influences
all converge into his “main discipline” – Carl Craig. The Detroit pioneer’s
lifelong pursuit of independence and self-gratification is the catalyst behind
three decades of innovation and achievement within the realm of electronic
music. His standing within Motor City’s highly influential techno fraternity
places him at the forefront of the global community, inspiring future
generations of techno enthusiasts since he got started. As the mastermind behind
Planet E Communications, Carl conceived and nurtured a platform that preserves
his independence, while also providing a liberating space for a range of
international artists. From the beginning Carl and his label have consistently
pushed the boundaries of creativity, in turn stimulating the growth and
evolution of techno, ensuring its progressive ethos is at the centre of his
endeavours. A natural born fighter, Carl’s determination, innate gift for
channeling emotion into his work and unwavering commitment to his freedom have
established him as a master of his craft.
Octave One, the Detroit-based electronic duo of Lenny and Lawrence Burden, is
known for their electrifying live performances that blend funk, house, and
symphonic beats using synthesizers and sequencers. Since debuting in 1990 with
“I Believe,” the group has produced iconic tracks like the million-selling
“Black Water” and earned critical acclaim for songs such as “Empower” and “The
X-files.” In 2023, they released a new album, Endustry, under their Random Noise
Generation alias, accompanied by live shows. Octave One’s dynamic performances,
including a notable 2016 collaboration with the Tonhalle Orchestra, have
solidified their reputation as more than just a band, offering fans a unique,
boundary-pushing musical experience.
Deeply rooted in the Detroit music scene, Ernie Guerra aka ERNO embodies the
varied styles of music the city is known to produce. Dabbling in nothing and
involved with everything, ERNO has been DJing and producing for over 15 years.
His sets can be best described as disco and classic house having a love affair
with techno, showcasing his love of over 4 decades of dance music. The backbone
is funk but is adapted to modern dance music to create a continuous experience,
psychedelic even. ERNO is a forefront member of Tour Detroit, the legendary
summer party series that traveled to random venues each month. Also a record
collector, he co-hosts a weekly 100% vinyl, crate digging night called Slow
Jams, which is 12 years and running.
// BERHTA: Detroit Love //
Carl Craig (Planet E | Detroit)
soundcloud.com/carlcraignet [https://soundcloud.com/carlcraignet]
carlcraig.net/ [https://carlcraig.net/]
Octave One [LiVE] (430 West | Detroit)
soundcloud.com/octaveone [https://soundcloud.com/octaveone]
octaveone.com/ [http://www.octaveone.com/]
ERNO
soundcloud.com/ernotheinferno [https://soundcloud.com/ernotheinferno]
_________________________________
Flash Safe Space Policy
Flash stands firmly against non-consensual behavior, discrimination, harassment
or harm of any kind. If you or a friend feels uncomfortable, please let a Flash
team member know ~ our staff is trained to take action and assist.
And always remember, no photos/videos on the dance floors for the sake of the
vibe!
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Carl Craig Biography
Carl Craig is described as a creative visionary, a groundbreaking electronic music icon, an inspirational artist, an esteemed Grammy-nominated composer, a world-class DJ and an ambassador for his native Detroit. Yet the common thread that runs through Craig’s broad musical canon and creative projects is a resounding fascination with futurism. Carl Craig has cultivated a unique path as an artist, entrepreneur and civic leader, guided by his tendency toward forward
thinking.
Craig released his first track in 1989. One of his earliest mentors and first collaborator was Derrick May, whose imprint Craig also released some of his early music on.
In 1991, wanting pure artistic freedom, Craig set up his own label Planet-E and released ‘4 Jazz Funk Classics’, under the moniker 69, as the label’s first release. From here his wild exploration of sound intensified…
A Gemini true to form, with a mind that never sits still, Craig has released a diverse range of experimental and groundbreaking music under a plethora of aliases including 69, BFC, C2, Innerzone Orchestra (‘Bug in the Bassbin’ was credited as the spark that inspired the evolution of drum‘n’bass), No Boundaries, Psyche, Paperclip People, Tres Demented, Urban Tribe and many more. He has also produced albums for the legendary Detroit Jazz collective Tribe as well as orchestrator / pianist Francesco Tristano and French producer Agoria.
Live he has collaborated with Les siècles orchestra at Cité de la Musique in Paris. A meeting of techno and classical music, the concert was described as “historical”, Craig went on to repeat the formula in Milan and Germany. He regularly performs live as experimental outfit Trio with Moritz Von Oswald and Francesco Tristano, sometimes as Narod Niki alongside Villalobos, Luciano, Richie Hawtin, Zip and others, and regularly does part live and part DJ with Luciano. Additionally he’s
taken to occasionally bringing keyboardists like Mike Banks (UR), Amp Fiddler and Tristano into the DJ booth with him for special one-off gigs. He also improvised live to an Andy Warhol film at the Unsound Festival in New York. In 2011, Craig went live as 69 for the first time ever, fusing masks, darkness and the music of 69, Craig created 69’s own entity and previewed the show to a few select festivals and clubs around the world.
His remixes discography boasts some of the most desirable names in music – LCD Soundsystem, Hot Chip, Junior Boys (nominated for a Grammy Award), Gavin Russom & Delia Gonzalez, Theo Parrish, Tori Amos, Can, Goldfrapp, Friendly Fires, Caribou, Tiga, Unkle, Yello and more.
As well as an outlet for his own productions, his Planet-E imprint has given a home to a wide range of Detroit-based artists including Francesco Mora Catlett, Naomi Daniel, Flexitone, Jason Hogans, Kenny Larkin, Monty Luke, Moodyman, Mike Agent X, Oliverwho Factory, Ezana Harris, Recloose, Reference, Kevin Saunderson, Big Tone, Tribe, Urban Tribe, and Chaz Vincent.
Staying strong to his Detroit roots, where he still lives today, Craig helped launched the Detroit Electronic music Festival in 2000 and remains a strong force at the festival today. He has also created and launched his non-profit 501-C3 Carl Craig Foundation: “The concept is to find ways to re-educate kids about what’s interesting musically that you can’t get on the radio… To develop a new music scene that follows the legacy of Detroit music being diverse and interesting, to spot out the most talented young musicians coming out of high school and lend small financial grants to encourage music education at a higher level.”
When Craig explains his philosophy, his wry sense of humor seeps into his explanations of far-reaching concepts that merge worlds together. “I have a very special career. When I feel that I’m tired of going on the road I can go in the studio. When I’m tired of concentrating on the studio I can go on the road. I can work with concert pianists, jazz musicians or rock guys. Very few people
have that range of interests. Very few people juggle a career that they choose specifically.” No one else can pull it all together quite like Carl Craig.
Read Morethinking.
Craig released his first track in 1989. One of his earliest mentors and first collaborator was Derrick May, whose imprint Craig also released some of his early music on.
In 1991, wanting pure artistic freedom, Craig set up his own label Planet-E and released ‘4 Jazz Funk Classics’, under the moniker 69, as the label’s first release. From here his wild exploration of sound intensified…
A Gemini true to form, with a mind that never sits still, Craig has released a diverse range of experimental and groundbreaking music under a plethora of aliases including 69, BFC, C2, Innerzone Orchestra (‘Bug in the Bassbin’ was credited as the spark that inspired the evolution of drum‘n’bass), No Boundaries, Psyche, Paperclip People, Tres Demented, Urban Tribe and many more. He has also produced albums for the legendary Detroit Jazz collective Tribe as well as orchestrator / pianist Francesco Tristano and French producer Agoria.
Live he has collaborated with Les siècles orchestra at Cité de la Musique in Paris. A meeting of techno and classical music, the concert was described as “historical”, Craig went on to repeat the formula in Milan and Germany. He regularly performs live as experimental outfit Trio with Moritz Von Oswald and Francesco Tristano, sometimes as Narod Niki alongside Villalobos, Luciano, Richie Hawtin, Zip and others, and regularly does part live and part DJ with Luciano. Additionally he’s
taken to occasionally bringing keyboardists like Mike Banks (UR), Amp Fiddler and Tristano into the DJ booth with him for special one-off gigs. He also improvised live to an Andy Warhol film at the Unsound Festival in New York. In 2011, Craig went live as 69 for the first time ever, fusing masks, darkness and the music of 69, Craig created 69’s own entity and previewed the show to a few select festivals and clubs around the world.
His remixes discography boasts some of the most desirable names in music – LCD Soundsystem, Hot Chip, Junior Boys (nominated for a Grammy Award), Gavin Russom & Delia Gonzalez, Theo Parrish, Tori Amos, Can, Goldfrapp, Friendly Fires, Caribou, Tiga, Unkle, Yello and more.
As well as an outlet for his own productions, his Planet-E imprint has given a home to a wide range of Detroit-based artists including Francesco Mora Catlett, Naomi Daniel, Flexitone, Jason Hogans, Kenny Larkin, Monty Luke, Moodyman, Mike Agent X, Oliverwho Factory, Ezana Harris, Recloose, Reference, Kevin Saunderson, Big Tone, Tribe, Urban Tribe, and Chaz Vincent.
Staying strong to his Detroit roots, where he still lives today, Craig helped launched the Detroit Electronic music Festival in 2000 and remains a strong force at the festival today. He has also created and launched his non-profit 501-C3 Carl Craig Foundation: “The concept is to find ways to re-educate kids about what’s interesting musically that you can’t get on the radio… To develop a new music scene that follows the legacy of Detroit music being diverse and interesting, to spot out the most talented young musicians coming out of high school and lend small financial grants to encourage music education at a higher level.”
When Craig explains his philosophy, his wry sense of humor seeps into his explanations of far-reaching concepts that merge worlds together. “I have a very special career. When I feel that I’m tired of going on the road I can go in the studio. When I’m tired of concentrating on the studio I can go on the road. I can work with concert pianists, jazz musicians or rock guys. Very few people
have that range of interests. Very few people juggle a career that they choose specifically.” No one else can pull it all together quite like Carl Craig.
Detroit Techno
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