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Bill Callahan Tickets, Tour Dates and Concerts

Bill Callahan

The Treelawn
15335 Waterloo Rd

Apr 22, 2025

8:00 PM EDT
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Bill Callahan Tickets, Tour Dates and Concerts
About this concert
AT TREELAWNGrog Shop presents: Bill Callahan LIVE at Treelawn with Ryan DavisTuesday, April 22nd7pm doors / 8pm showAll Ages$25 advance / $30 day of showAnd were coming out of dreams / And were coming back to dreams is the first thing you hear Bill say as you remake your acquaintance on YTI⅃AƎЯ. Right out the gate, hes standing in two places at once: meeting up with old friends behind the scenes and encountering them on the record, finding himself coming round the bend and then again as someone else on down the line. Like the character actor he played on Gold Record, writing stories about other people, telling jokes about everyone, and in singing them, becoming the songs. You do what youve got to do / To see the picture Bills got a full band sound going on this one, with him and Matt Kinsey on guitars, Emmett Kelly on bass and backing vocals, Sarah Ann Phillips on B3, piano and backing vocals and Jim White on drums. Jim and Matt sing on one song, too, and some other singers come in, too. Bill plays some synth here and there, and Carl Smith drifts in and out of the picture with his contra alto clarinet, as do Mike St. Clair and Derek Phelps on brass. Somehow in between them all, you might think you hear the distant sound of a steel guitar. And you mightbut you might not, too. In this company, Bill continues his journey, tunneling underneath the weathered exterior of what seems to be and into the more nuanced life everything takes on in the dark. With Bills voice making the extraordinary leaps and bounds that measure the lives of the songs, the band follow him through passages that seem to invent themselves; other times playing with deeply soulful grooves and/or desperate intensity, as these moments come and go. Theres nothing they cant do. I wrote this song in five and forever / Im writing it right now Bill sings on Natural Informationan admission of the everyday alchemy hes forever trafficking in. Time passes, triangulating the encounters that went into any one record with two out of any three others, all of it made flesh, new constitution, in our stereo speakers. If every album is its own life, it stands to reason that theyre invariably passing in the night. Cascading images flowing from the stream of consciousness. Turning like pages from the journal, unspeakably personal, then suddenly become tall tales, like a book pulled off the shelf, completely unbound. Headlines flow through. Mirror images, mirthful ones. Bills lyrics strain at the lines on the page, not content to separate the printing of the fact from the myth or be confined to ink on paper. They want to fly free. And they do. I realize now that dreams are real On YTI⅃AƎЯs inner sleeve, alongside his lyrics, Bill celebrates the exhilaration and dread of cover artist Paul Ryans paintings. Pauls another one met up with again down the road, his indelible cover imagery on Apocalypse and Dream River now an axis of meaning in the Callahanian worldand in the bright colors found in these new images, a parallel to Bills recognitions here. A breath of exquisite air as we come up from drowning, sounds like the desired hope for those hearing the songs of YTI⅃AƎЯ.
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Bill Callahan merch
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YTI⅃AƎЯ
$15.84
Blind Date Party
$25.33
Gold Record
$16.99
Have Fun With God
$22.99
Dream River
$16.99
Apocalypse
$16.99
Sometimes I Wish We Were an Eagle
$27.99
Woke On a Whaleheart
$25.19
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What fans are saying

Adrian
September 30th 2024
great performance from bill callahan in a lovely venue the highlight for me was him finishing his set byvplaying riding for the feeling from his my apocalypse album my only disappointment was that he didn't play too many birds or his latestctrack last one at the party but overall it was fantastic.
London, United Kingdom@
ICA (Institute of Contemporary Arts)
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Bill Callahan Biography

Bill Callahan (born 1966), also known as Smog and (Smog), is an American singer-songwriter born in Silver Spring, Maryland. Callahan began working in the lo-fi genre of underground rock, with home-made tape-albums recorded on four track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today.

Callahan started out as a highly experimental artist, using substandard instruments and recording equipment. His early songs often nearly lacked melodic structure and were clumsily played on poorly tuned guitars (possibly influenced by Jandek, whom Callahan admired), resulting in the dissonant sounds on his self-released cassettes and debut album Sewn to the Sky. Much of his early output was instrumental, a stark contrast to the lyrical focus of his later work. Apparently, he used lo-fi techniques not primarily because of an aesthetic preference but because he didn't have any other possibility to make music. Once he signed a contract with Drag City, he also started to use recording studios and a greater variety of instruments for his records.

From 1993 to 2000, Callahan's recordings grew more and more "professional" sounding, with more instruments, and a higher sound quality. In this period he recorded two albums with the influential producer Jim O'Rourke and Tortoise's John McEntire, and collaborated with Neil Hagerty. After 2000's Dongs of Sevotion, Callahan began moving back to a slightly simpler instrumentation and recording style, while retaining the more consistent songwriting style he had developed over the years. This shift is apparent in albums such as Rain on Lens, Supper, and A River Ain't Too Much to Love.

Smog's songs are often based on simple, repetitive structures, consisting of a simple chord progression repeated for the duration of the entire song. His singing is strikingly characterized by his baritone voice and a style of delivery without being over-emotional. Melodically and lyrically he tends to eschew the verse-chorus approach favoured by many contemporary songwriters, preferring instead a more free-form approach relying less on melodic and lyrical repetition. Themes in Callahan's lyrics include relationships, moving, horses, teenagers, bodies of water, and more recently, politics. His generally dispassionate delivery of lyrics and dark irony often obfuscate complex emotional and lyrical twists and turns. Critics have generally characterized his music as depressing and intensely introverted, with one critic describing it as "a peep-show view into an insular world of alienation." Despite this there is also a broad swathe of joy throughout Callahan's work and more attentive critics have picked up on Callahan's tendency to black humour, a tendency often confused with a depressed mental state or a genuine obsession with the morbid, a confusion no doubt caused by his deadpan vocals.

Cat Power (Chan Marshall) recorded Callahan's song Bathysphere on her 1996 album What Would the Community Think. She covered him again in 2000 on her Covers Record doing the song Red Apples.

Smog's Cold Blooded Old Times appears on the High Fidelity soundtrack. The song Vessel in Vain (from Supper) was also used on the soundtrack of the independent British film Dead Man's Shoes in 2004. In October 2007, Cadillac released a commercial which featured Smog's song Held and Bob Dylan driving a 2008 Escalade through the desert.

As of 2007 he lives in Austin, Texas where he released Woke On A Whaleheart. It was his first record release as Bill Callahan.
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