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Puddles Pity Party
The BayCare Sound
301 Drew St
Clearwater, FL 33755
Sep 25, 2025
7:30 PM EDT
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rutheckerdhall.com
About this show
"Weird Al" Yankovic brings his Bigger & Weirder 2025 Tour to Clearwater for his The BayCare Sound debut with special guest Puddles Pity Party! After two world tours in smaller venues with scaled-down, intimate shows featuring his original songs, Weird Al now returns to the big stage for the first time in six years, playing his iconic hits as well as some fan favorites which have never been performed live. With his giant video wall, multiple costume changes, and an amazing eight-piece ensemble featuring Al’s original band, Weird Al ups the ante on his already legendary show with a new super-sized concert experience. “This is kind of a ‘best of both worlds’ tour,” explains “Weird Al” Yankovic. “We’ll be doing all the big crowd-pleasing parodies as well as some deep cuts for the hardcore fans – but with twice as many players on stage, everything is going to sound twice as good!” Earlier this year, in celebration of his #1 album Mandatory Fun’s 10th anniversary, Weird Al released his new single and video Polkamania!, a medley of some of the biggest and most memorable songs of the last decade by artists like Miley Cyrus, Billie Eilish, Adele and Taylor Swift. He recently celebrated the 35th anniversary of his cult classic film UHF with a new 4K/UHD/Blu-Ray release with bonus features.
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What fans are saying

Melinda
January 4th 2025
Absolutely loved Puddles! Great time, nice guy, beautiful voice, funny!
Felton, CA@Felton Music Hall
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About the venue
The BayCare Sound is Clearwater's signature waterfront venue, near the intercoastal waterway. Ruth Eckerd Hall manages and operates this state-of-the-art music venue that...
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Puddles Pity Party Biography
A 7-foot clown walks into a bar. He motions for a soda water and sits there staring at his drink. The year was 1998 and Puddles had wandered into the Star Community Bar in Atlanta, GA where bartender Big Mike Geier first laid eyes on the sad, silent clown.
“There was a heaviness about him,” says Geier. “I could tell he wasn’t in the mood to chat, so I pretty much left him alone except to pass him the mustard when he pulled an onion and a heel of bread out of his pocket. A couple weeks later, he came by the bar and gave me a flyer to a show he was doing at a flea market. The sound system was crap, but his voice was something else. I’ve been in my share of bands and wasn’t expecting much from a clown singing karaoke from a boombox. But I’ll be damned if his singing didn’t get me all choked up.”
The two soon became close friends, with Big Mike acting somewhat as a confidant as the pair travel all over with Puddles Pity Party, Mike speaking on behalf of Puddles since the clown chooses to stay silent.
Originally from River City before kicking around Atlanta, the sulking serenader gained momentum after hitting the road as guest performer on the 2010 Aqua Teen Hunger Force Live tour and 2013 Eels tour and making special appearances at Seattle’s Teatro ZinZanni and NYC’s Sleep No More.
It was Halloween 2013 when Puddles then teamed up with Scott Bradlee’s Postmodern Jukebox to record an epic version of Lorde’s hit song “Royals,” which instantly went viral on YouTube, having received over 15 million views so far. The “sad clown with the golden voice” captivated audiences and media from around the world, building a fan base of more than 155,000 on Facebook.
Puddles has since performed all over the planet, garnering rave reviews at festivals like Edinburgh Fringe, Adelaide Fringe, Perth Fringe, Melbourne International Comedy Fest and Belgium’s Gent Fest. He was a feature performer in La Soiree’s 2014 Southbank show in London, which won the Olivier Award. He was handpicked by Neil Patrick Harris to perform Just for Laugh’s “Circus Awesomeus,” gala filmed for HBO Canada. And Jack Black selected Puddles to perform at the 2015 Festival Supreme.
Today, the softhearted crooner continues to wander the world with melancholic pop anthems and free hugs for all the party people.
Read More“There was a heaviness about him,” says Geier. “I could tell he wasn’t in the mood to chat, so I pretty much left him alone except to pass him the mustard when he pulled an onion and a heel of bread out of his pocket. A couple weeks later, he came by the bar and gave me a flyer to a show he was doing at a flea market. The sound system was crap, but his voice was something else. I’ve been in my share of bands and wasn’t expecting much from a clown singing karaoke from a boombox. But I’ll be damned if his singing didn’t get me all choked up.”
The two soon became close friends, with Big Mike acting somewhat as a confidant as the pair travel all over with Puddles Pity Party, Mike speaking on behalf of Puddles since the clown chooses to stay silent.
Originally from River City before kicking around Atlanta, the sulking serenader gained momentum after hitting the road as guest performer on the 2010 Aqua Teen Hunger Force Live tour and 2013 Eels tour and making special appearances at Seattle’s Teatro ZinZanni and NYC’s Sleep No More.
It was Halloween 2013 when Puddles then teamed up with Scott Bradlee’s Postmodern Jukebox to record an epic version of Lorde’s hit song “Royals,” which instantly went viral on YouTube, having received over 15 million views so far. The “sad clown with the golden voice” captivated audiences and media from around the world, building a fan base of more than 155,000 on Facebook.
Puddles has since performed all over the planet, garnering rave reviews at festivals like Edinburgh Fringe, Adelaide Fringe, Perth Fringe, Melbourne International Comedy Fest and Belgium’s Gent Fest. He was a feature performer in La Soiree’s 2014 Southbank show in London, which won the Olivier Award. He was handpicked by Neil Patrick Harris to perform Just for Laugh’s “Circus Awesomeus,” gala filmed for HBO Canada. And Jack Black selected Puddles to perform at the 2015 Festival Supreme.
Today, the softhearted crooner continues to wander the world with melancholic pop anthems and free hugs for all the party people.
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