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Sonic adventurers, punk rock fundamentalists, exuberant luddites, willing outcasts. “The mekons are the most revolutionary group in the history of rock ‘n’ roll” – wrote rock critic Lester Bangs The genre-defying mekons formed in Leeds, England in 1977. Born from the emerging British punk scene, they progressed from art students with no musical skills to the prolific, raucous progeny of Hank Williams. This current classic line-up has remained intact since the mid-1980s, continuing to regularly tour and release new music through to now. Theirs is an improbable history – a surprising and influential embrace of folk and country music with occasional forays into the art world. They have always worked collaboratively and collectively with all work credited to the band, never to individuals. Their mind-boggling output consistently blurs the lines between high art and low and has included exhibitions in the UK and US, a deranged pirate musical recorded and staged with Kathy Acker, an art performance with Vito Acconci, and several books including the unique art catalog/unfinished novel Mekons United. “Revenge of the mekons”, a documentary about the band received nationwide release in 2015 on Music Box Films. The mekons continue to make bold, unpredictable music while staying true to the punk ethos. Their mind-boggling output consistently blurs the lines between high art and low and they remain one of the truly great live bands. Their last album “Exquisite” was recorded completely remotely during the early months of lockdown and released on Bandcamp in June 2020. The band are working with Fire Records on their new album which comes out in 2025. The single from that album “You’re Not Singing Anymore” will be released on Fire Records in early November 2024. Jill Sobule Jill Sobule’s work is at once deeply personal and socially conscious, seriously funny and derisively tragic. In a dozen albums spanning three decades of recording, the Denver-born songwriter/guitarist/singer has tackled such topics as the death penalty, anorexia nervosa, shoplifting, reproduction, the French Resistance, adolescent malaise, LGBTQ issues, and the Christian Right. Her hits include “I Kissed A Girl”—the first openly gay-themed song ever to crack the Billboard Top 20—and the alt-rock anthem “Supermodel” featured in the film “Clueless”. Sobule was one half of The Jill & Julia Show, providing music while actor Julia Sweeney contributes storytelling. Jill is considered a pioneer in crowdfunding and is constantly exploring and creating new models for artists in an ever-changing music industry. Her latest record is “Nostalgia Kills”, produced by Ben Lee and released on her own Pinko Records label. Jill’s theater credits include a musical adaptation of the Broadway classic “Yentl”, “Prozak and the Platypus”, and “Times Square”. Her latest, “F*ck 7th Grade”, was postponed due to Covid, but was performed and filmed for three days at a make-shift drive-in over the Summer. The musical is a finalist for the Lambda Literary awards in LGBTQ Drama category this June. “Jill Sobule can claim her place among the stellar New York singer-songwriters of the last decade. Topical, funny and more than a little poignant …grown-up music for an adolescent age.” -New York Times
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Mekons Biography
The Mekons are a punk rock/post punk band. They are one of the longest-running and most prolific of the first-wave British punk bands (rivaled in both categories only by The Fall).
Leeds University art students Jon Langford and Tom Greenhalgh formed the Mekons in 1977, taking the band's name from the Mekon, an evil, super-intelligent Venusian featured in the British 1950s-1960s comic Dan Dare (printed in the Eagle). The band first gained widepread popularity with the single "Never Been in a Riot," a satirical take on the Clash's "White Riot." For several years the loose-knit band played noisy, bare-bones post-punk in the vein of fellow Leeds students Gang of Four. Yet Langford and Greenhalgh never hewed closely to genre conventions, and by the mid-80s (now augmented by vocalist Sally Timms and violinist Susie Honeyman) they began to experiment with musical styles derived from traditional folk and country. 1985's watershed Fear and Whiskey, 1986's The Edge of the World and 1987's Honky Tonkin' exemplified the band's new sound, which built on the innovations of Gram Parsons and blended punk ethos with the minimalist country of Hank Williams. This style, sometimes referred to as "post-modern country", is a direct forerunner of the alt-country genre represented by bands like Uncle Tupelo.
Jon Langford has been busy as an artist and as founder of several solo and band projects: namely the Waco Brothers (a country-like ensemble) and the Pine Valley Cosmonauts (exploring the music of Bob Wills, Johnny Cash and others). Besides his solo albums he has released CDs with Richard Buckner and Kevin Coyne.
Subsequent albums such as The Mekons Rock 'n' Roll, while containing several straightforward rock songs, continued to explore the boundaries of the punk genre by utilizing diverse instrumentation (notably the fiddle and slide guitar) and Timm's haunting vocals.
The Mekons Rock 'n' Roll was the band's first major label release. Issued by A&M Records in 1989, it was not a commercial success, but it was met with critical acclaim. Arguably the best album of their career (alongside Fear and Whiskey), it is perhaps the most accessible synthesis of their experiments in country, rock and punk.
Just as the Mekons began to grow in critical stature, their relationship with A&M Records became more tense, and unable to fulfill their commercial expectations, the Mekons were soon dropped by the label. However, not only did the band remain intact, they continued to record at a prolific rate, releasing such notable albums as 1991's Curse of the Mekons, 2000's Journey to the End of the Night, and 2002's OOOH!.
The band continues to tour under an altered lineup, and has a highly devoted following.
Read MoreLeeds University art students Jon Langford and Tom Greenhalgh formed the Mekons in 1977, taking the band's name from the Mekon, an evil, super-intelligent Venusian featured in the British 1950s-1960s comic Dan Dare (printed in the Eagle). The band first gained widepread popularity with the single "Never Been in a Riot," a satirical take on the Clash's "White Riot." For several years the loose-knit band played noisy, bare-bones post-punk in the vein of fellow Leeds students Gang of Four. Yet Langford and Greenhalgh never hewed closely to genre conventions, and by the mid-80s (now augmented by vocalist Sally Timms and violinist Susie Honeyman) they began to experiment with musical styles derived from traditional folk and country. 1985's watershed Fear and Whiskey, 1986's The Edge of the World and 1987's Honky Tonkin' exemplified the band's new sound, which built on the innovations of Gram Parsons and blended punk ethos with the minimalist country of Hank Williams. This style, sometimes referred to as "post-modern country", is a direct forerunner of the alt-country genre represented by bands like Uncle Tupelo.
Jon Langford has been busy as an artist and as founder of several solo and band projects: namely the Waco Brothers (a country-like ensemble) and the Pine Valley Cosmonauts (exploring the music of Bob Wills, Johnny Cash and others). Besides his solo albums he has released CDs with Richard Buckner and Kevin Coyne.
Subsequent albums such as The Mekons Rock 'n' Roll, while containing several straightforward rock songs, continued to explore the boundaries of the punk genre by utilizing diverse instrumentation (notably the fiddle and slide guitar) and Timm's haunting vocals.
The Mekons Rock 'n' Roll was the band's first major label release. Issued by A&M Records in 1989, it was not a commercial success, but it was met with critical acclaim. Arguably the best album of their career (alongside Fear and Whiskey), it is perhaps the most accessible synthesis of their experiments in country, rock and punk.
Just as the Mekons began to grow in critical stature, their relationship with A&M Records became more tense, and unable to fulfill their commercial expectations, the Mekons were soon dropped by the label. However, not only did the band remain intact, they continued to record at a prolific rate, releasing such notable albums as 1991's Curse of the Mekons, 2000's Journey to the End of the Night, and 2002's OOOH!.
The band continues to tour under an altered lineup, and has a highly devoted following.
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