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Guccihighwaters
22,687 Followers
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Live Photos of Guccihighwaters
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concerts and tour dates
Fan Reviews

Christian
April 2nd 2024
Best live show i have ever attended! Needs to come back to south Florida soon!
Miami, FL@Gramps

Matthew
February 6th 2024
Morgan can be a hit or miss live, especially as a support act. (That is not to discredit his discography) However, I was lucky to witness a show where all of the vocalists were at their best. At the show it was clear people (such as myself) had come to see him specifically next to nothing,nowhere.
In hip-hop it's sorta part of the deal for vocalists to deflect high-notes to the crowd. That's also the case here, but it was obvious to me that Morgan felt comfortable with this crowd (likely due to the better reception with many of his own fans being there also) and it led to some experimentation. It is here where you can tell he's worked on his mic-game. In 'crash my car', Morgan decides to go for the high note in the final chorus and absolutely nails it. You can actually find it in the one video posted on YouTube from this event. That, along with his confident energy on stage made the difference opposed to other shows, such as the one in Electric Ballroom, where I found him a little tense on stage and unstable vocally. Which makes sense, considering the amount of shows and inconsistent crowd reception as a support act. This show consolidated the notion: Morgan, when in his element, is a great live vocalist and hypeman!
The reason I'm going with four stars is because the setlist contained a little too much of his very recent projects. I understand his desire to promote his new direction under Epitaph, but his core audience- especially here, considering Europe shows seldom come about- grew up with albums like post death.
Then again, with only fourty minutes, it is difficult to make a setlist that pleases everyone. It's undeniable that with Epitaph he might have deviated somewhat from his original style, but it has also produced some of his best in tracks such as highschool.
I aim to go see guccihighwaters live at a headline show, and I honestly can't wait because this was already such a great experience.
Haarlem, Netherlands@Patronaat

Brian
November 3rd 2023
I came for Jake Hill and left with a new favorite. Love his music and it was pretty cool he was other artists #1 Hype man. <3
Salt Lake City, UT@The Complex
View More Fan Reviews
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About Guccihighwaters
guccihighwaters’ third album for Epitaph, DEATH BY DESIRE is his boldest and most adventurous record to date—a result of the project’s mastermind Morgan Murphy taking the creative wheel and hitting the gas at 100 MPH, putting every element of his musical acumen into these 12 songs. After releasing joke’s on you in 2021—as well as the extensive touring that followed—Murphy felt creatively unsure of where to go next. ”I was in a standstill,” he explains. “I was putting out a lot of singles and doing sessions with producers and songwriters, and I wasn’t connecting with what I was making.”
Instead of throwing in the towel, Murphy got to work on writing and self-producing the luxurious alternative pop sound that would become DEATH BY DESIRE. “I locked myself in the studio every day and really just focused on reinventing myself,” he recalls. “I was making something that was untouched by anyone else. I knew it was gonna be a hard task, but it was also the only way for me to feel like I accomplished something that I love.”
Lyrically, Murphy dives deeper than ever before, embracing a “raw and honest” style that leaves no emotional stone unturned. “This record is about the dark side of things that are seen as bad or sinful—lust, greed, jealousy,” he explains. “I wanted to showcase what the dark side of being an artist can be. In the past, I hadn't really dipped into that aspect of myself too much, But for this record I wanted to get everything out there—even the bad feelings.”
The record’s inky R&B aesthetic—at once a logical progression from his previous releases and recalling the slithery, iridescent pop of artists like the Weeknd and Chase Atlantic—is a result of Murphy exercising full creative control across DEATH BY DESIRE. “I've been pretty hands-on throughout my whole career, but with joke’s on you I definitely branched out with other producers,” he states, before adding that a few outside collaborators—including fellow West Coast singer-songwriters TOOPOOR (who sings on the pulsing “IF LOOKS COULD KILL” and No Love For The Middle Child—pitched in on DEATH BY DESIRE as well.
“With this record, I was in control of everything. I wanted to fully trust myself and my ideas, and that progression ultimately resulted in my expressing the honesty of who I am as a creator. This is the rawest form of my art.” The glistening synths that kick the door open on “DESIRE” are ample evidence of Murphy’s tactile approach while producing this record; elsewhere, the beaming opening track “HIGH” was one of the first tracks written for DEATH BY DESIRE, and as such it opens the album to reveal a side of guccihighwaters that listeners may not have previously taken notice of. “This is the closest I’ve ever come to writing a happy song,” he explains while talking about the tune’s lyrical bent. “It’s about someone special to me. When we met, it instantly felt like the best drug you could ever dream of.”
“This album definitely showcases how far I've come in my own artistic abilities,” Murphy reflects while discussing how DEATH BY DESIRE is a snapshot of the moment that he finds himself in. “I'm still figuring out life—it's an ongoing journey of struggles that I've experienced—but there’s joy in this music too, because I've definitely become a happier person and more comfortable with myself.” That sense of self-discovery is undoubtedly streaked across this record, and it paves the way for more innovations from guccihighwaters to come.
Instead of throwing in the towel, Murphy got to work on writing and self-producing the luxurious alternative pop sound that would become DEATH BY DESIRE. “I locked myself in the studio every day and really just focused on reinventing myself,” he recalls. “I was making something that was untouched by anyone else. I knew it was gonna be a hard task, but it was also the only way for me to feel like I accomplished something that I love.”
Lyrically, Murphy dives deeper than ever before, embracing a “raw and honest” style that leaves no emotional stone unturned. “This record is about the dark side of things that are seen as bad or sinful—lust, greed, jealousy,” he explains. “I wanted to showcase what the dark side of being an artist can be. In the past, I hadn't really dipped into that aspect of myself too much, But for this record I wanted to get everything out there—even the bad feelings.”
The record’s inky R&B aesthetic—at once a logical progression from his previous releases and recalling the slithery, iridescent pop of artists like the Weeknd and Chase Atlantic—is a result of Murphy exercising full creative control across DEATH BY DESIRE. “I've been pretty hands-on throughout my whole career, but with joke’s on you I definitely branched out with other producers,” he states, before adding that a few outside collaborators—including fellow West Coast singer-songwriters TOOPOOR (who sings on the pulsing “IF LOOKS COULD KILL” and No Love For The Middle Child—pitched in on DEATH BY DESIRE as well.
“With this record, I was in control of everything. I wanted to fully trust myself and my ideas, and that progression ultimately resulted in my expressing the honesty of who I am as a creator. This is the rawest form of my art.” The glistening synths that kick the door open on “DESIRE” are ample evidence of Murphy’s tactile approach while producing this record; elsewhere, the beaming opening track “HIGH” was one of the first tracks written for DEATH BY DESIRE, and as such it opens the album to reveal a side of guccihighwaters that listeners may not have previously taken notice of. “This is the closest I’ve ever come to writing a happy song,” he explains while talking about the tune’s lyrical bent. “It’s about someone special to me. When we met, it instantly felt like the best drug you could ever dream of.”
“This album definitely showcases how far I've come in my own artistic abilities,” Murphy reflects while discussing how DEATH BY DESIRE is a snapshot of the moment that he finds himself in. “I'm still figuring out life—it's an ongoing journey of struggles that I've experienced—but there’s joy in this music too, because I've definitely become a happier person and more comfortable with myself.” That sense of self-discovery is undoubtedly streaked across this record, and it paves the way for more innovations from guccihighwaters to come.
Show More
Genres:
Emo Rap, Hip Hop, Rap, Emo, Trap
Hometown:
Long Island City, New York
No upcoming shows
Send a request to Guccihighwaters to play in your city
Request a Show
Live Photos of Guccihighwaters
View All Photos
Merch (ad)

I'm So Diorable! Fashion Luxury Desig...
$22.99

Gucci Mane Guwop Stance T-Shirt
$25.99

Hustle Designer Logo T-Shirt
$14.95

Team Cucci Lifetime Member - Cucci Na...
$19.99

Gucci Mane Gucci Squares T-Shirt
$25.99

SCREENSHOTBRAND-S11910 Mens Hip-Hop U...
$29.99

Gucci Mane GUWOP Pose T-Shirt
$25.99

Gucci Mane Gucci Squares Long Sleeve ...
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Gucci Mane Drip T-Shirt
$25.99

Gucci Mane Side Pose Flat T-Shirt
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concerts and tour dates
Fan Reviews

Christian
April 2nd 2024
Best live show i have ever attended! Needs to come back to south Florida soon!
Miami, FL@Gramps

Matthew
February 6th 2024
Morgan can be a hit or miss live, especially as a support act. (That is not to discredit his discography) However, I was lucky to witness a show where all of the vocalists were at their best. At the show it was clear people (such as myself) had come to see him specifically next to nothing,nowhere.
In hip-hop it's sorta part of the deal for vocalists to deflect high-notes to the crowd. That's also the case here, but it was obvious to me that Morgan felt comfortable with this crowd (likely due to the better reception with many of his own fans being there also) and it led to some experimentation. It is here where you can tell he's worked on his mic-game. In 'crash my car', Morgan decides to go for the high note in the final chorus and absolutely nails it. You can actually find it in the one video posted on YouTube from this event. That, along with his confident energy on stage made the difference opposed to other shows, such as the one in Electric Ballroom, where I found him a little tense on stage and unstable vocally. Which makes sense, considering the amount of shows and inconsistent crowd reception as a support act. This show consolidated the notion: Morgan, when in his element, is a great live vocalist and hypeman!
The reason I'm going with four stars is because the setlist contained a little too much of his very recent projects. I understand his desire to promote his new direction under Epitaph, but his core audience- especially here, considering Europe shows seldom come about- grew up with albums like post death.
Then again, with only fourty minutes, it is difficult to make a setlist that pleases everyone. It's undeniable that with Epitaph he might have deviated somewhat from his original style, but it has also produced some of his best in tracks such as highschool.
I aim to go see guccihighwaters live at a headline show, and I honestly can't wait because this was already such a great experience.
Haarlem, Netherlands@Patronaat

Brian
November 3rd 2023
I came for Jake Hill and left with a new favorite. Love his music and it was pretty cool he was other artists #1 Hype man. <3
Salt Lake City, UT@The Complex
View More Fan Reviews
About Guccihighwaters
guccihighwaters’ third album for Epitaph, DEATH BY DESIRE is his boldest and most adventurous record to date—a result of the project’s mastermind Morgan Murphy taking the creative wheel and hitting the gas at 100 MPH, putting every element of his musical acumen into these 12 songs. After releasing joke’s on you in 2021—as well as the extensive touring that followed—Murphy felt creatively unsure of where to go next. ”I was in a standstill,” he explains. “I was putting out a lot of singles and doing sessions with producers and songwriters, and I wasn’t connecting with what I was making.”
Instead of throwing in the towel, Murphy got to work on writing and self-producing the luxurious alternative pop sound that would become DEATH BY DESIRE. “I locked myself in the studio every day and really just focused on reinventing myself,” he recalls. “I was making something that was untouched by anyone else. I knew it was gonna be a hard task, but it was also the only way for me to feel like I accomplished something that I love.”
Lyrically, Murphy dives deeper than ever before, embracing a “raw and honest” style that leaves no emotional stone unturned. “This record is about the dark side of things that are seen as bad or sinful—lust, greed, jealousy,” he explains. “I wanted to showcase what the dark side of being an artist can be. In the past, I hadn't really dipped into that aspect of myself too much, But for this record I wanted to get everything out there—even the bad feelings.”
The record’s inky R&B aesthetic—at once a logical progression from his previous releases and recalling the slithery, iridescent pop of artists like the Weeknd and Chase Atlantic—is a result of Murphy exercising full creative control across DEATH BY DESIRE. “I've been pretty hands-on throughout my whole career, but with joke’s on you I definitely branched out with other producers,” he states, before adding that a few outside collaborators—including fellow West Coast singer-songwriters TOOPOOR (who sings on the pulsing “IF LOOKS COULD KILL” and No Love For The Middle Child—pitched in on DEATH BY DESIRE as well.
“With this record, I was in control of everything. I wanted to fully trust myself and my ideas, and that progression ultimately resulted in my expressing the honesty of who I am as a creator. This is the rawest form of my art.” The glistening synths that kick the door open on “DESIRE” are ample evidence of Murphy’s tactile approach while producing this record; elsewhere, the beaming opening track “HIGH” was one of the first tracks written for DEATH BY DESIRE, and as such it opens the album to reveal a side of guccihighwaters that listeners may not have previously taken notice of. “This is the closest I’ve ever come to writing a happy song,” he explains while talking about the tune’s lyrical bent. “It’s about someone special to me. When we met, it instantly felt like the best drug you could ever dream of.”
“This album definitely showcases how far I've come in my own artistic abilities,” Murphy reflects while discussing how DEATH BY DESIRE is a snapshot of the moment that he finds himself in. “I'm still figuring out life—it's an ongoing journey of struggles that I've experienced—but there’s joy in this music too, because I've definitely become a happier person and more comfortable with myself.” That sense of self-discovery is undoubtedly streaked across this record, and it paves the way for more innovations from guccihighwaters to come.
Instead of throwing in the towel, Murphy got to work on writing and self-producing the luxurious alternative pop sound that would become DEATH BY DESIRE. “I locked myself in the studio every day and really just focused on reinventing myself,” he recalls. “I was making something that was untouched by anyone else. I knew it was gonna be a hard task, but it was also the only way for me to feel like I accomplished something that I love.”
Lyrically, Murphy dives deeper than ever before, embracing a “raw and honest” style that leaves no emotional stone unturned. “This record is about the dark side of things that are seen as bad or sinful—lust, greed, jealousy,” he explains. “I wanted to showcase what the dark side of being an artist can be. In the past, I hadn't really dipped into that aspect of myself too much, But for this record I wanted to get everything out there—even the bad feelings.”
The record’s inky R&B aesthetic—at once a logical progression from his previous releases and recalling the slithery, iridescent pop of artists like the Weeknd and Chase Atlantic—is a result of Murphy exercising full creative control across DEATH BY DESIRE. “I've been pretty hands-on throughout my whole career, but with joke’s on you I definitely branched out with other producers,” he states, before adding that a few outside collaborators—including fellow West Coast singer-songwriters TOOPOOR (who sings on the pulsing “IF LOOKS COULD KILL” and No Love For The Middle Child—pitched in on DEATH BY DESIRE as well.
“With this record, I was in control of everything. I wanted to fully trust myself and my ideas, and that progression ultimately resulted in my expressing the honesty of who I am as a creator. This is the rawest form of my art.” The glistening synths that kick the door open on “DESIRE” are ample evidence of Murphy’s tactile approach while producing this record; elsewhere, the beaming opening track “HIGH” was one of the first tracks written for DEATH BY DESIRE, and as such it opens the album to reveal a side of guccihighwaters that listeners may not have previously taken notice of. “This is the closest I’ve ever come to writing a happy song,” he explains while talking about the tune’s lyrical bent. “It’s about someone special to me. When we met, it instantly felt like the best drug you could ever dream of.”
“This album definitely showcases how far I've come in my own artistic abilities,” Murphy reflects while discussing how DEATH BY DESIRE is a snapshot of the moment that he finds himself in. “I'm still figuring out life—it's an ongoing journey of struggles that I've experienced—but there’s joy in this music too, because I've definitely become a happier person and more comfortable with myself.” That sense of self-discovery is undoubtedly streaked across this record, and it paves the way for more innovations from guccihighwaters to come.
Show More
Genres:
Emo Rap, Hip Hop, Rap, Emo, Trap
Hometown:
Long Island City, New York
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