Laibach
36,723 Followers
• 21 Upcoming Shows
21 Upcoming Shows
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Show More Dates (21)
Official Merch
Opus Dei – Vinyl & Booklet
$32.0 EUR
Opus Dei – 2CD set & Booklet
$23.0 EUR
Make Earth Great Again - T-shirt
$32.0 EUR
Make Earth Great Again - Cap
$30.0 EUR
Make Earth Great Again - Badge
$10.0 EUR
Laibach WTC - Gift Card
$10.0 EUR
Kunst-Maschine - Book
$25.0 EUR
Iron Sky: La Cost a Lot – Polo T-Shirt
$39.0 EUR
Nova Akropola - Poster
$27.0 EUR
Peter Mlakar: Festung der Metaphysik ...
$32.0 EUR
Laibach's tour
Live Photos of Laibach
View All Photos
Fan Reviews
Hallvard
February 2nd 2023
Dark and rough, but sophisricated and also beautiful, as always with Laibach.
Oslo, Norway@Sentralen
Paul
March 2nd 2019
LAIBACH ARE FANTASTIC, PURE & SIMPLE! I FEEL SORRY FOR PEOPLE WHO HAVE NOT SEEN THEM YET!
London, United Kingdom@O2 Empire Shepherds Bush
View More Fan Reviews
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About Laibach
Laibach is an industrial project that started in Trbovlje, Slovenia, in 1980. Their name is taken from the German name for Slovenia’s capital Ljubljana, and this reference to World War II occupation was the first of many provocative and ambiguous statements in their long and chameleonic career. Laibach were founder members of the art movement NSK (Neue Slowenische Kunst — “New Slovenian Art”) and are one of the few musical groups able to claim real influence on the history of their home country.
Laibach are best known for their cover versions of pop songs which have been rerendered in such a way as to reveal formerly hidden or unnoticed messages, often commenting on political totalitarianism or rock stardom’s own forms of dictatorship. This was done most successfully on Opus Dei, especially on their cover of One Vision. Named Geburt Einer Nation after D. W. Griffith’s classic film The Birth of a Nation, Queen’s lyrics are sung in German to a strident military beat. All of a sudden lines like “one flesh, one blood, one true religion” start sounding suspiciously familiar...
However the bulk of Laibach’s output is their own work. Their own early experiments with totalitarian ambiguity led to their being outlawed in then-Communist Yugoslavia; their name was made illegal so the band resorted to using their black-cross emblem on posters instead. To this day their work deals with similar ideas but frequently Laibach reference their own legendary status and tongue-in-cheekily play with the kinds of in-jokes a band accrues in over 25 years of work.
Laibach’s musical style has varied a lot over the years. They began as avant-garde industrial musicians, producing what could best be described as ambient noise but soon discovered the joys of the martial rhythm. Having produced a couple of albums of heavy martial industrial music, they began to expand sonically. Following the collapse of Yugoslavia their difficult but rewarding album Kapital included hip-hop influences among many others and NATO borrowed from techno while keeping the bombastic atmosphere. The next offering Jesus Christ Superstars came after quite a hiatus and it may have shocked a lot of people with its balls-out metal guitar riffs. The 2003 album WAT returns to a more electronic sound; working with techno producer Umek has produced a slightly odd album of electro beats.
Volk, was released on October 20, 2006 and was preceded by the single Anglia. The album contains 14 songs composed and produced together with Silence, inspired by national anthems.
Laibach has announced the release of a brand new album, titled "LAIBACHKUNSTDERFUGE". This album is the laibachian interpretation of Johann Sebastian Bach's work The Art of Fugue (Die Kunst der Fuge). The majority of the material has been created already in 2006 and premierly performed the same year on June the 1st at Bachfest festival in Leipzig.
Laibach are best known for their cover versions of pop songs which have been rerendered in such a way as to reveal formerly hidden or unnoticed messages, often commenting on political totalitarianism or rock stardom’s own forms of dictatorship. This was done most successfully on Opus Dei, especially on their cover of One Vision. Named Geburt Einer Nation after D. W. Griffith’s classic film The Birth of a Nation, Queen’s lyrics are sung in German to a strident military beat. All of a sudden lines like “one flesh, one blood, one true religion” start sounding suspiciously familiar...
However the bulk of Laibach’s output is their own work. Their own early experiments with totalitarian ambiguity led to their being outlawed in then-Communist Yugoslavia; their name was made illegal so the band resorted to using their black-cross emblem on posters instead. To this day their work deals with similar ideas but frequently Laibach reference their own legendary status and tongue-in-cheekily play with the kinds of in-jokes a band accrues in over 25 years of work.
Laibach’s musical style has varied a lot over the years. They began as avant-garde industrial musicians, producing what could best be described as ambient noise but soon discovered the joys of the martial rhythm. Having produced a couple of albums of heavy martial industrial music, they began to expand sonically. Following the collapse of Yugoslavia their difficult but rewarding album Kapital included hip-hop influences among many others and NATO borrowed from techno while keeping the bombastic atmosphere. The next offering Jesus Christ Superstars came after quite a hiatus and it may have shocked a lot of people with its balls-out metal guitar riffs. The 2003 album WAT returns to a more electronic sound; working with techno producer Umek has produced a slightly odd album of electro beats.
Volk, was released on October 20, 2006 and was preceded by the single Anglia. The album contains 14 songs composed and produced together with Silence, inspired by national anthems.
Laibach has announced the release of a brand new album, titled "LAIBACHKUNSTDERFUGE". This album is the laibachian interpretation of Johann Sebastian Bach's work The Art of Fugue (Die Kunst der Fuge). The majority of the material has been created already in 2006 and premierly performed the same year on June the 1st at Bachfest festival in Leipzig.
Show More
Genres:
Industrial Rock, Alternative, Degenerate Pop Music
No upcoming shows in your city
Send a request to Laibach to play in your city
Request a Show
Concerts and tour dates
Upcoming
Past
All Concerts & Live Streams
Show More Dates (21)
Live Photos of Laibach
View All Photos
Official Merch
Opus Dei – Vinyl & Booklet
$32.0 EUR
Opus Dei – 2CD set & Booklet
$23.0 EUR
Make Earth Great Again - T-shirt
$32.0 EUR
Make Earth Great Again - Cap
$30.0 EUR
Make Earth Great Again - Badge
$10.0 EUR
Laibach WTC - Gift Card
$10.0 EUR
Kunst-Maschine - Book
$25.0 EUR
Iron Sky: La Cost a Lot – Polo T-Shirt
$39.0 EUR
Nova Akropola - Poster
$27.0 EUR
Peter Mlakar: Festung der Metaphysik ...
$32.0 EUR
Laibach's tour
Fan Reviews
Hallvard
February 2nd 2023
Dark and rough, but sophisricated and also beautiful, as always with Laibach.
Oslo, Norway@Sentralen
Paul
March 2nd 2019
LAIBACH ARE FANTASTIC, PURE & SIMPLE! I FEEL SORRY FOR PEOPLE WHO HAVE NOT SEEN THEM YET!
London, United Kingdom@O2 Empire Shepherds Bush
View More Fan Reviews
About Laibach
Laibach is an industrial project that started in Trbovlje, Slovenia, in 1980. Their name is taken from the German name for Slovenia’s capital Ljubljana, and this reference to World War II occupation was the first of many provocative and ambiguous statements in their long and chameleonic career. Laibach were founder members of the art movement NSK (Neue Slowenische Kunst — “New Slovenian Art”) and are one of the few musical groups able to claim real influence on the history of their home country.
Laibach are best known for their cover versions of pop songs which have been rerendered in such a way as to reveal formerly hidden or unnoticed messages, often commenting on political totalitarianism or rock stardom’s own forms of dictatorship. This was done most successfully on Opus Dei, especially on their cover of One Vision. Named Geburt Einer Nation after D. W. Griffith’s classic film The Birth of a Nation, Queen’s lyrics are sung in German to a strident military beat. All of a sudden lines like “one flesh, one blood, one true religion” start sounding suspiciously familiar...
However the bulk of Laibach’s output is their own work. Their own early experiments with totalitarian ambiguity led to their being outlawed in then-Communist Yugoslavia; their name was made illegal so the band resorted to using their black-cross emblem on posters instead. To this day their work deals with similar ideas but frequently Laibach reference their own legendary status and tongue-in-cheekily play with the kinds of in-jokes a band accrues in over 25 years of work.
Laibach’s musical style has varied a lot over the years. They began as avant-garde industrial musicians, producing what could best be described as ambient noise but soon discovered the joys of the martial rhythm. Having produced a couple of albums of heavy martial industrial music, they began to expand sonically. Following the collapse of Yugoslavia their difficult but rewarding album Kapital included hip-hop influences among many others and NATO borrowed from techno while keeping the bombastic atmosphere. The next offering Jesus Christ Superstars came after quite a hiatus and it may have shocked a lot of people with its balls-out metal guitar riffs. The 2003 album WAT returns to a more electronic sound; working with techno producer Umek has produced a slightly odd album of electro beats.
Volk, was released on October 20, 2006 and was preceded by the single Anglia. The album contains 14 songs composed and produced together with Silence, inspired by national anthems.
Laibach has announced the release of a brand new album, titled "LAIBACHKUNSTDERFUGE". This album is the laibachian interpretation of Johann Sebastian Bach's work The Art of Fugue (Die Kunst der Fuge). The majority of the material has been created already in 2006 and premierly performed the same year on June the 1st at Bachfest festival in Leipzig.
Laibach are best known for their cover versions of pop songs which have been rerendered in such a way as to reveal formerly hidden or unnoticed messages, often commenting on political totalitarianism or rock stardom’s own forms of dictatorship. This was done most successfully on Opus Dei, especially on their cover of One Vision. Named Geburt Einer Nation after D. W. Griffith’s classic film The Birth of a Nation, Queen’s lyrics are sung in German to a strident military beat. All of a sudden lines like “one flesh, one blood, one true religion” start sounding suspiciously familiar...
However the bulk of Laibach’s output is their own work. Their own early experiments with totalitarian ambiguity led to their being outlawed in then-Communist Yugoslavia; their name was made illegal so the band resorted to using their black-cross emblem on posters instead. To this day their work deals with similar ideas but frequently Laibach reference their own legendary status and tongue-in-cheekily play with the kinds of in-jokes a band accrues in over 25 years of work.
Laibach’s musical style has varied a lot over the years. They began as avant-garde industrial musicians, producing what could best be described as ambient noise but soon discovered the joys of the martial rhythm. Having produced a couple of albums of heavy martial industrial music, they began to expand sonically. Following the collapse of Yugoslavia their difficult but rewarding album Kapital included hip-hop influences among many others and NATO borrowed from techno while keeping the bombastic atmosphere. The next offering Jesus Christ Superstars came after quite a hiatus and it may have shocked a lot of people with its balls-out metal guitar riffs. The 2003 album WAT returns to a more electronic sound; working with techno producer Umek has produced a slightly odd album of electro beats.
Volk, was released on October 20, 2006 and was preceded by the single Anglia. The album contains 14 songs composed and produced together with Silence, inspired by national anthems.
Laibach has announced the release of a brand new album, titled "LAIBACHKUNSTDERFUGE". This album is the laibachian interpretation of Johann Sebastian Bach's work The Art of Fugue (Die Kunst der Fuge). The majority of the material has been created already in 2006 and premierly performed the same year on June the 1st at Bachfest festival in Leipzig.
Show More
Genres:
Industrial Rock, Alternative, Degenerate Pop Music
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